As BBC Two premieres its lavish new drama set in the sumptuous surroundings of Versailles, Lucy Worsley and Helen Castor tell the real-life stories behind one of the world’s grandest buildings. They reveal the colourful world of sex, drama and intrigue that Louis XIV and his courtiers inhabited. Lucy untangles Louis’s complex world of court etiquette, fashion and feasting, while Helen delves into the archives and unpicks the Machiavellian world of court politics that Louis created. We meet the people behind the on-screen characters and discover what drove Louis to glorify his reign on a scale unmatched by any previous monarch, examine the tension between Louis and his brother Philippe, a battle hero and overt homosexual, and they meet the coterie of women who competed for Louis’s attention. We see that Louis was ruthless in his pursuit of glory and succeeded in defeating his enemies. In his record-breaking 72-year reign, France became renowned for its culture and sophistication.

Hank Marshall is a tough, square-jawed, straitlaced Army engineer and nuclear science expert, assigned to help conduct weapons-testing in 1950’s America. Hank has become a thorn in the side of the Army, though, for a couple of very different reasons. He is an outspoken opponent of atmospheric testing, though his superiors hold contrary views and want to squelch his concerns…and his reports. The other problem is his wife, Carly. She is voluptuous and volatile, wreaking havoc in his personal life and stirring up intrigue at each new Army base.

An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.

THE DWARVENAUT gives viewers a glimpse into the unique mind of Brooklyn-based artist and entrepreneur Stefan Pokorny. Director Josh Bishop weaves memories of Stefan’s tumultuous childhood with his current struggles and triumphs to paint a mesmerizing portrait. An art prodigy obsessed from a young age with Dungeons & Dragons, Stefan navigates absurd adventures—from Wisconsin to Venice to Bushwick—on a quest to bring his most personal project to life through an ambitious multimillion dollar Kickstarter campaign. Part philosopher, part jester, he preaches the virtues of fantasy gaming as a vehicle for uniting the human race on his whimsical, bizarre life’s journey.

We are taken care of when we are children and we do not know as much as when we are older. There is less to worry about. But it does not mean the things that are important to us as children have less significance. You see, for Scruffy, despite that she is from a poor family of the countryside, it is very important to study well, because she will become an asthma doctor. The doctor said her dad will die but she has decided – she will grow up and cure her father. Equally important is to run away from her grandmother, who almost always is lurking around in the dark corners of the house with a comb to fix her messy hair. Death is too abstract to understand, war is a word one hears on the radio that grownups sometimes listen to. Yet, as Scruffy lives through her days full of happiness and misery at full steam, the most tumultuous years of Iran become unveiled on the background, as we are introduced to the Revolution and the Iran-Iraqi war through the eyes of a child.

A car crash prevents Jeanine Markham, a world-renowned astrophysicist, from delivering her controversial lecture about her findings. The accident puts Jeanine at the cross roads of conscious and subconscious, between Comatose and awake as she struggles to live. But even in her vegetative unresponsive state, her mind, slipping between the two realities, continues her quest to deliver the truth. For Jeanine’s husband and others, accepting the irrefutable proof that she presents is unthinkable – that we’re alone in the universe, that no deity hears or answers our prayers nor punishes our sins, that humanity is entirely the product of random events, and that our sufferings, indeed our lives and loves are ultimately pointless. Her journey, stuck between the two worlds, becomes shrouded by dark and mysterious events that create a whirlwind of tumultuous emotions and terrifying realizations.

A wedding is supposed to be a joyous occasion, but things can go awry. When an uninvited guest turns up at the church and later at the reception as well, the newly-weds’ day turns sour. Shadows of the past can blight the most sumptuous of banquets and rend the most affectionate of embraces.